Precious
presence – It’s
something my husband says. I think it’s from some self-help-ish book. I’m
not sure which one, and it doesn’t really matter. It’s a pithy reminder to be
in the moment, which is good advice for me and for the stories that I write.
Precious
presence – Sounds
simple, but I’m finding it more difficult in real life than ever before. First
there’s the blessing and curse of being a writer. I can do my job anywhere.
Waiting in the checkout line in the grocery story, I can ponder a sticky plot
problem. While falling off to sleep, I can write the best opening to a novel in
the history of the world – if only I could remember what it was when I wake up the
next morning. I’m never bored. But the flip side of that is that I’m sometimes
in my head and not in the world. I’m so busy telling myself stories that I
forget to appreciate the wonders around me.
Secondly
there’s the never-satisfied hunger of technology. I go to the theatre so
excited to watch a play but I have to fight the urge to check my email and then
Facebook and Twitter. I’ll check it one last time before I switch off my phone
and then just a quick check at intermission. Oh, and have I taken a photo I can
post later?
I
went to a concert recently where the person in front of me watched the entire
concert on the screen of his phone. He was so busy capturing the moment
that he wasn’t immersed in it.
And
then there’s the urge to plug in. I’ve always found a synergy in writing and
walking. Walking gives me distance from a project and time to think. But I
often I take my iPhone and listen to music or an audiobook. I realize that I
may be stretching my legs but I’m still stuck in my head, letting something
entertainment me. Similarly I used to plug into music while travelling. You
always see lots of headphoned people on the Tube. But I’ve stopped doing this
because it made me feel disconnected. (Also I’ve found some of my best story
ideas by eavesdropping and people watching.)
And
finally I’m a list maker. I like being busy and I like the satisfying feeling
of checking things off
my list. I could check off ‘lunch with friend’ but had I really enjoyed it? Was I mentally cataloguing what I needed to do next instead of really listening and enjoying the meal and my friend? I’m also notorious among my family and friends for talking on the phone while multi-tasking: checking email, emptying the dishwasher or making dinner. I don't do this much anymore because I’ve begun to think multi-task means doing more than one thing but nothing to the best of my ability.
my list. I could check off ‘lunch with friend’ but had I really enjoyed it? Was I mentally cataloguing what I needed to do next instead of really listening and enjoying the meal and my friend? I’m also notorious among my family and friends for talking on the phone while multi-tasking: checking email, emptying the dishwasher or making dinner. I don't do this much anymore because I’ve begun to think multi-task means doing more than one thing but nothing to the best of my ability.
Okay,
and here’s where I sound like an old fuddy duddy. I worry about the creativity
of future generations. Growing up I spent hundreds of hours playing
make-believe. I imagined epic stories for my Barbies that would continue like a
soap opera for weeks. I made up games with my sister when we were stuck for
eight hours a day in the back of the station wagon on family driving vacations.
The neighbor kids and I would play our own version of our favorite TV shows,
including Big Valley and Charlie’s Angels. But today I’m as
guilty as the next guy of an iPad and iPhone addiction. Will my and future
generations' imaginations suffer because we don’t have to entertain ourselves
anymore?
When
I visit schools, I continue to meet incredibly talented storytellers so I
suppose I shouldn’t be concerned. The next great writers are out there. I know
it. They may create interactive ebooks or new version of entertainment
that my 47-year-old brain can’t even imagine.
Precious
presence
is important in real life, but it’s also fundamental in fiction. To create a
scene writers must evoke all five senses. They must select a few vivid details
to bring the scene to life. To do this to the best of my ability, I must get
out of my head, off technology and experience the real world. If I’m not
absorbed in the moment and endeavouring to experience new things – if I’m not
feeding my imagination – how can I ever hope to captivate a reader?
Sara Grant has worked on both sides of the editorial
desk. She has inspired and edited nearly 100 books for children. Her two YA
novels – Dark Parties (SCBWI Crystal Kite Award winner, Europe) and Half
Lives – are futuristic thrillers. She also writes a funny magical series
for young readers – Magic Trix. Sara is currently developing a new
action-adventure series for tweens with Scholastic. She leads writing workshops
in the US, UK and Europe as part of Book Bound and guest lectures at the University of Winchester.
Website: www.sara-grant.com