Bringing Dead Frank to Life for "Reluctant Readers" …

This week we find Edge author Dave Cousins in Dr Frankenstein guise, preparing for a spot of reanimation …

Real life often finds its way into what we write, but it doesn’t usually happen the other way around! 

When I was making up fictional favourite bands for Oz – the narrator of my second teen novel Waiting for Gonzo – I was just having fun, trying to build a fully three-dimensional character. I like ‘music’ in books – lyrics or references to songs lets you share the soundtrack of the character’s life and takes the reader deeper into the story.

I chose to invent bands in Waiting for Gonzo because musical taste is so personal – I didn’t want to use existing artists that readers might not like! Oz is also a bit of an elitist – it seemed logical that he would only listen to obscure music that nobody else had heard of. That moment of ‘discovering’ a new band, feeling that they somehow belong to you, creates a special bond between the listener and the artist, and it was important to the story for Oz to have that.

Spilt Milk sleeve by Michael Fewtrell

I had hours of fun coming up with names, song titles and … yes, I’ll admit … entire discographies for Oz’s favourites! Everything was fine, until the idea was raised that readers might want to hear what Dead Frank’s Supersonic Milkfloat or Cyclops Dog actually sounded like. But you can’t listen to imaginary songs by bands that don’t exist … or can you?

A long long time ago, in a faraway galaxy … I played in a band. We had a record deal and were almost famous for a while … 

I rang up my old bandmate, Michael – the inspiration for Dead Franks’ Michael Death in the book. 

“Er … you wouldn’t fancy writing a song for me would you?”  

“A song?!!!” (I could actually hear those exclamation marks rattling down the phone!)

I explained. He didn’t sound convinced. 

“The band’s called Dead Frank’s Supersonic Milkfloat,” I told him.  “The song’s called Spilt Milk.” 

“Mmm …” he said. “Let me think about it.” 

Twenty-four hours later Spilt Milk by Dead Frank’s Supersonic Milkfloat was blasting out of my speakers. 

I rang Michael. “This is great,” I told him. “Perfect!” 

“I enjoyed it,” he said. “Pity you don’t need any more.” 

“Well …” I said, “there are three other bands in the story …”

Two months later we had recorded a full soundtrack album, featuring ten original songs by Oz’s favourite bands – each with a unique sound and style: from the sci-fi, pop-punk of Cigarette UFO to Dead Frank’s Supersonic Milkfloat and their brittle brand of tongue-in-cheek lyrics and angry Telecasters; the epic gothic rock of Prayer for Halo and, of course, the magnificently monocular, sunshine pop of Cyclops Dog. Ten imaginary songs by bands that don’t exist. Except, now they do …

When I go into schools to talk to young people about Waiting for Gonzo it's interesting to see the reaction when I mention the soundtrack. In any group of pupils there are going to be some not interested in reading, but the majority I speak to like music. Whether or not the songs will provide an alternative way into the book remains to be seen – but if listening to the soundtrack or watching the videos makes one "reluctant reader" give the book a go, it won't be a bad thing … 

A single from the album is being officially released on Monday (8 July 2013). It will be available to download from all the usual music sites and eligible for the charts! It’s even got a video!! All proceeds from the single will be donated to Bliss, the UK charity working to provide care and support for premature babies and their families.

I’m not expecting Sunglasses by Cyclops Dog to be a number one … but you never know. Sometimes life can be stranger than fiction!

Sunglasses by Cyclops Dog will be available to download for 79p* from iTunes, Amazon and other good music sites. (* prices may vary, but all proceeds go to Bliss) 

Tweet #gonzosunglasses to spread the word! Thanks.

Waiting for Gonzo by Dave Cousins, is out now in paperback and BBC audiobook.

Young Adult Books Interrogation with Guest Book Blogger Paula Hardman from PaulaSHx

This week our guest at the Edge is Paula Hardman who has been blogging about books at PaulaSHx since the start of January 2011. On the blog Paula describes herself as a blogger, book reviewer, social media addict, beta reader, aspiring writer and Harley Davidson lover – amongst other things!

Originally from Brazil, Paula came to the UK aged seventeen, intending to study English and Photography for three years and then return home to finish a degree in Journalism. Needless to say, it didn't quite go according to plan. She blames her husband for the fact she is still here. "I had no plans of having a beautiful little girl in this trip either, but I like it better this way. Life's curves made my life complete!"

Over the coming months we will be inviting a number of book bloggers to guest here at the Edge. Huge thanks to Paula for volunteering to be the first to undergo the Edge interrogation. So, without further ado, lets shine that light and let the questions begin … 

Paula, WHY do you read and write about Young Adult books? 

I love YA Books! Your teens might be a little traumatic, but they are also the years when you start finding out about adult life - falling in love, discovering who you are and what you can do - without the responsibilities of actually being an adult. When I read YA it evokes all those feelings and memories in me and I enjoy reminiscing about my younger years when things were more dramatic, but simpler.

What are the most ORIGINAL YA books that you have read?

Oh! This is a hard one as most of the books I have read recently are following trends while giving it their own twist. I would have to say: The Mortal Instrument Series by Cassandra Clare – she walks the fine line in between all fairy tales and different religions while creating her own very different world; Mercy series by Rebecca Lim – a very interesting take on angels and a double story as in every book Mercy must discover who she is as well as help the life she’s inhabiting for the moment; and Wicked Lovely by Melissa Marr – a very political take on fairy courts and love.

What is a TURN OFF in YA fiction?

A very slow pace or events that are so unrealistic you are left scratching your head and asking: “seriously?”

What makes for a GREAT YA book?

Convincing tension, romance, characters and action. I like when an author tells me there are cats raining from the sky, but he/she does it so convincingly, that I actually believe it’s plausible. I also like finding out the backstory while the action in the present plot is still going on - when the pace slows too much to fill you in I usually lose interest.

Which YA characters would you most like to take OUT TO DINNER and why?

I am a girl, so I will have to say Seth Morgan from Wicked Lovely – the alternative but extremely clever and wise sort – and Cole St.Clair from Maggie Stiefvater’s Wolves of Mercy Falls – the bad boy with brains.

Who is your ideal YA HERO / HEROINE and why?

I like strong female leads, girls who can hold their own and kick butt, so I adore Isabel Culpeper from Maggie Stiefvater’s Wolves of Mercy Falls and Isabelle Lightwood from The Mortal Instrument series by Cassandra Clare. They are not the main characters on any of these books, but I sympathise with them as we have the same attitude and way of thinking. I’m a little sceptical, sarcastic and straight to the point like they are.

What is your dream YA ROMANTIC PAIRING and why?

Cole St.Clair and Isabel Culpeper (Wolves of Mercy Falls) – they are both fighting their demons and finding their feet. And while they are both really messed up, their dramatic and complicated relationship actually helps them work through their issues. It’s realistic, you know? Real relationships are not perfect and this one isn’t either.

What makes you uncomfortable or question THE BOUNDARIES of YA?

When things become too graphic. And it’s not just YA, this could also apply to adult books. I think the magic of a book lays on letting the reader imagine half of the scene themselves, so they ride the book with you. When you are a teen, you are discovering all sorts of things about yourself - that includes principals, sexuality, beliefs and boundaries- and it would be unrealistic of a book talking about teens not to tackle that to some extent. That is not to say that it can’t be done with taste and touch. Swearing, for example - if added at the right scene, it enhances the mood or the character’s reaction. If dropped in constantly to replace another word, it’s just rude. A heavy making-out session in between characters is another one – we all know the chase is a lot more interesting than actually winning the game. It’s the tension of flirting that gives you the butterflies, not characters that can’t leave each other’s faces alone.

What would you LIKE to see happening in YA fiction over the next five years?

I would love to see YA treated with a little more respect. It’s a genre like many others. It annoys me when you tell people you read YA and they say: “Oh, I read proper fiction.” You have to read what rocks your boat, and YA rocks mine.

What do you think will ACTUALLY BE the next big thing in YA?

It sounds like there is a whole undead thing going on at the moment. Historical Fiction also seems to be getting stronger, but I really like the ones about real life issues (Edge Authors), if done properly, they can be really interesting, helpful and raise awareness for the issues.

Give us your TOP FIVE YA/Teen books.

In no particular order: Mercy series by Rebecca Lim, The Mortal Instruments by Cassandra Clare, Wicked Lovely series by Melissa Marr, 15 Days Without a Head by Dave Cousins, and Sabado a Noite by Babi Dewet (this is a Brazilian author and the book is so far only written in Portuguese).

(And no, we didn't bribe Paula to include one of our Edge authors in her list!)

If you read one book this year, read THIS … 

This is not actually a new book, but The Little Prince by Antoine de Saint-Exupery is A.M.A.Z.I.N.G. It works on two levels: If you read it to a child, it’s about the adventures of an alien prince. If you read in between the lines, it’s a serious critique on society and its priorities. My favourite quotes are:

“Grown-ups like numbers… If you tell grown-ups, ‘I saw a beautiful red brick house, with geraniums at the windows and doves on the roof…,’ they won’t be able to imagine such a house. You have to tell them, ‘I saw a house worth a hundred thousand francs.’ Then they exclaim, ‘What a pretty house!’”

“In those days, I didn’t understand anything. I should have judged her according to her actions, not her words. She perfumed my planet and lit up my life. I should never have run away! I ought to have realised the tenderness underlying her silly pretensions. Flowers are so contradictory! But I was too young to know how to love her.”

Thanks very much to Paula for being our guest and providing some great answers to our questions. Be sure to take a trip over to PaulaSHx for some great reviews and much more besides.

You can also follow Paula on Twitter @PaulaSHx

If you would be interested in submitting to interrogation, or have something you'd like to say about teen and young adult books, send an email to edgewritersATyahooDOTcoDOTuk. Thanks.

Caring For Awkward Characters – by Guest Author Nik Perring

This week we are delighted to welcome Nik Perring as our guest author at the Edge. Nik is the co-author of Freaks! and the author of Not So Perfect.

For me, Story is all about characters. A story is, in my opinion, what happens to the people in it. They shape it, by their actions and their circumstances and how they react to them. You can’t have a story without characters. 

So, as an extension of that, I think it’s fair to say that you can’t have a good story (however you qualify that) without having a good main character, or ensemble. And how do decide who your characters are going to be? Well, that’s the difficult bit, isn’t it, especially when we don’t find out who they really are until we’ve seen how they’ve reacted to the troubles that are put in front of them in our stories. 

For me, the best characters are the ones we can see a bit of ourselves in. Empathising is important – we have to care, one way or another, about what happens to the people we’re reading about - but what can be equally important is recognising the traits we might wish we didn’t have, or the ones we dislike to see in others. And I’m not really talking about the broad character types – the bullies, the tyrants, the liars – though they can all make for being exceptionally interesting – I’m talking about subtler things. I’m talking about things like insecurity and selfishness, about vulnerability and not quite understanding the world as, it would appear, the rest of the world does. I’m talking about the characters who struggle, who worry, who might be anxious or uncomfortable, or awkward or just plain weird. 

I’m talking about the things that make the characters real, that make them human in the same ways we are, and that’s what makes us care what happens to them. Because, really, that awkwardness, that sense of not quite fitting in – it’s something I think we’ve all felt to some degree at some point in our lives – and that’s what makes us, us. 

But it’s not just about empathy, nor is it only about honesty. It’s so much more than that – it’s about opportunity. As I said earlier, if our characters are interesting and good, then there’s a good chance our stories will be too.

Nik Perring is the co-author of Freaks! published by The Friday Project (HarperCollins) and the author of Not So Perfect (Roast Books). 

He blogs at http://nikperring.com and tweets as @nikperring, and his characters tend to be very awkward and very weird indeed.

Five Get Edgy in Winchester

This weekend five-eighths of The Edge will be appearing at the Society of Children’s Book Writers and Illustrators Conference in Winchester. Bryony, Dave, Miriam, Paula and Sara will be on an Edge panel discussing current trends in YA and looking at the benefits and pitfalls of writing edgy fiction, as well as answering questions from the audience. The weekend will also see the first unveiling of the Edge Graffiti Wall. Delegates will be invited to write questions, comments, slogans and even draw pictures on the wall, which the panellists will then discuss during the session. Our authors are all looking forward to the event and have promised a couple of surprises, including the introduction of a new member of The Edge!

Photos and video evidence to follow on our return.

Banned Books: On no account should you read this …

Edge author Dave Cousins on the curious incident of the dog in the locker.
 
A couple of weeks ago I read an article about a student in an American high school, running a library of banned books from her locker. What started as a small act of rebellion against censorship, turned into something much more significant and interesting, when she discovered that her classmates wanted to borrow and read the books because they had been told they shouldn’t.

“Before I started (the library), almost no kid at school but myself took an active interest in reading! Now not only are all the kids reading the banned books, but go out of their way to read anything they can get their hands on. So I’m doing a good thing, right? ”   


A few days later I read in the press about the cancellation of  an appearance by award winning children’s author, Meg Rosoff, at an independent school in Bath. Having somewhat belatedly realised that the novel she would be talking about, There Is No Dog, explored the idea of God as a nineteen year old boy, the school felt that inviting Rosoff to speak would not be an appropriate reflection of their Christian ethos.  

The discussions that followed this news, both publicly and amongst friends and fellow writers were passionate and wide ranging in opinions. As far as I was concerned this reaction served as a perfect illustration as to why young people should be encouraged to read and discuss books such as There Is No Dog, precisely because they are thought provoking and stimulate debate.  

In an interview on Radio 4’s Open Book programme some weeks before her event was pulled, Meg Rosoff said that her intention when writing the book had been to simply pose questions that would make readers realise that somebody else was thinking about these issues. And that she believed it was part of the writers job “to look at the dark questions of life.”  

I don’t wish to enter into a specific debate about There Is No Dog, or the school’s decision to cancel Meg Rosoff's visit. I would like to suggest however, that books tackling some of these “dark questions” provide an excellent opportunity for schools to engage students in informed debate. Hiding away from an issue or a difficult question won’t make it go away. Ignorance, fear and prejudice will merely continue as a result. Whereas a generation of young people who read widely, and are encouraged to explore different viewpoints and ideas, will surely be better equipped to shape our world in future.  

A final thought. The library in the locker clearly showed that young people like to read what they’ve been told not to. The question is – how can we stimulate similar interest in books that haven’t been banned? Your thoughts on this would be most welcome.

Dave Cousins' debut novel for teenagers, 15 Days Without a Head comes out in January, published by Oxford University Press. On no account should you read it … 


Please note that all opinions in this post are those of the author alone.

Language, Timothy!

Edge author, Dave Cousins looks at swearing in teen fiction and asks – how far should we go?


It has to be said that in fiction, as well as in real life, certain circumstances require a response a little stronger than: “You know, old chap, I’d be jolly pleased if you’d go away”. This is especially the case if the words are coming from the mouth of a teenage protagonist in the pages of an edgy teen novel. The question is – how far should writers go in the quest for authenticity?


If we are hoping to portray believable characters in real situations, authentic dialogue is essential. Often the defence for pages packed with expletives, is simply: that’s how kids speak. Quite possibly, but isn’t it part of the writer’s job to distil the essence, rather than to doggedly transcribe? I mean … um … if we actually wrote down what people actually say … when they talk, yeah? It would be like … really annoying and repetitive and stuff. Saying the same things over and over again, like. You know what I mean?

I’ve read books with lots of swearing and others where bad language is noticeable by its absence. Then there are the books when you don’t even notice, because the dialogue, whatever it contains, feels so natural. If the story, the character and the situation requires swearing, I’ll use it (and argue with my editor later). Having said that, if the speech works just as well without, I remove it, because overuse reduces the impact.

The Pig of Profanity – my writer's swear box. Chapter 15 was expensive!

The books I put down and sometimes don't finish, are the ones where it seems the author has used swearing in an attempt to appear edgy and down with the kids. I’m not offended, just disappointed, because it gets in the way of a good story. 


But what do you think?

All comments, however colourfully phrased, will be very welcome.


15 Days without a Head by Dave Cousins, is out in January 2012, published by Oxford University Press

Where do your ideas come from?

Edge author Dave Cousins considers why he is drawn to write edgy fiction. 

Where do your ideas come from? is probably the most common question asked of writers, and one that many will struggle to answer. Not me. I know exactly where my stories originate: a metal box on my desk called the Word Tin. It contains all the words I need, stamped into small strips of metal, like dog-tags. To build a story, I simply delve into the box, pull out a handful of words and put them in the right order – easy. 

The Word Tin: Where the words come from

I’m joking, of course – though the tin is real, and I have once or twice tried the technique. (It produced some interesting if not exactly publishable results.) But where do ideas for stories come from? How do we choose which stories to tell? Does choice even come into it? I certainly don’t sit down and think. ‘Right! Now I’m going to write some edgy fiction.’ Why don’t I tell stories about boy wizards or teenage spies – vampires even? I’m a big fan of Philip Reeve’s Mortal Engines series and will happily spend an evening reading about Neutrino-toting fairies, but when I sit down to write, that’s not what appears on the page.

The late great (and edgy) Robert Cormier

For me, Robert Cormier summed it up perfectly when he said, ‘to work for me, an idea must be attached to an emotion, something that upsets, dazzles or angers me and sends me to the typewriter’. The spark that sent me to my notebook to scribble the start of the story that became 15 Days without a Head, came from something I witnessed in a pub one afternoon. A very drunk woman arguing with a stranger at the next table – much to the embarrassment of her sons. It made me wonder what life was like for those two boys, what would happen when they got home. 

It takes time to write and revise a novel, and I find that if the characters and their story don’t mean anything to me, they won’t sustain my interest through the months of writing. If you care, it also brings with it a sense of responsibility, a desire to do justice to the characters and their story, which can be a great motivation – especially in those dark hours encountered with every novel, where the story won’t come and you find yourself reaching for the Word Tin! 

Last week, Bryony talked about edgy fiction dealing with unsettling, uncomfortable ideas. Look at all the Edge story synopses and you’ll find a wide range of tales that have one thing in common: they all deal with realities that are hard to face, things we would rather not think about: knife crime, child abduction, prejudice and torture, abandonment, deception and coercion. 

But these are the subjects that excite and unsettle me, that gnaw away at my subconscious, disturb my daydreams and keep me awake at night – the things that drive me to the typewriter. 

15 Days without a Head by Dave Cousins, is out in January 2012, published by Oxford University Press.