Showing posts with label Caroline Green. Show all posts
Showing posts with label Caroline Green. Show all posts

Friday, 28 December 2012

2012 Review: Books, Libraries and Writing – A Year on The Edge

In the final blog post of 2012, Edge author Dave Cousins takes a look back over a few highlights from the last twelve months at the Edge.

The year started with a flurry of Edge books hitting the shelves: Sara Grant's Dark Parties, my own 15 Days Without a Head, plus Someone Else's Life and the first two titles from the Fairy Tale Twist series from Katie Dale. January also saw the first of two guest posts by Caroline Green.

As the year draws to a close, I'm sorry to have to write that our national library service is still in a perilous state. The current government seems either unaware or ambivalent to the vital role libraries play in society and has done little to stop closures and reductions in services across the country. To mark National Libraries Day in February, each of the authors at the Edge wrote a short piece in support of libraries.

March saw the publication of Illegal – the second book in Miriam Halahmy's trio of books set on Hayling Island. Author Mary Hoffman wrote: "Miriam Halahmy has pulled off a difficult trick - a second novel as good as her first."

During events we are often asked for writing tips, so in April the Edge scribes each offered a nugget of wisdom we hoped might be useful to fellow writers young and old.

Late Spring saw a trio of fine authors guesting at the Edge. We were delighted to welcome Nik Perring, Jane McLoughlin and Conrad Mason. If you missed their posts the first time around, here's a chance to catch them again.

Edge authors and the My Voice Libronauts in Warrington

The Edge Summer Tour kicked off with a trip to meet the My Voice Libronauts in Warrington. This was followed by events in Blackheath, Hounslow and Westminster. The final date saw Dave and Sara performing a double-act of live storytelling at the Edinburgh International Book Festival in August.

We are keen to have a wide variety of voices at the Edge, and were pleased to invite a quartet of book bloggers to give their perspective of teen and young adult fiction. Read what Paula from PaulaSHx, Beth from Page-TurnerCicely from Cicley Loves Books, and Jeremy from Book Engine had to say.

September saw the publication of Another Life – the eagerly anticipated third book in Keren David's trio of urban thrillers that started with the acclaimed When I was Joe. More good news followed, with the announcement that new Young Adult imprint Strange Chemistry will be publishing Bryony Pearce's The Weight of Souls in the UK and US in August 2013.

We rounded off the year with A Night on the Edge at Foyles bookshop in London, in association with Foyles and the Youth Libraries Group, plus an impressive line-up of  award-winning guest authors: Ruth EasthamCelia Rees and Anne Cassidy.

Paula and Bryony at the Leeds Book Awards
We are delighted that a number of books by Edge authors have been recognised with award nominations in 2012. These include: SCBWI Crystal Kite (Dark Parties, winner); Cheshire Schools Book Award (Angel's Fury, shortlisted); Leeds Books Award (Angel's Fury, winner 14-16 category  and The Truth About Celia Frost, winner 11-14 category); Anobii First Book Award (15 Days Without a Head, Dark Parties, Someone Else's Life, all shortlisted); Sefton Super Reads Award 2012 (The Truth About Celia Frost, winner); Branford Boase (Angel's Fury, nominated); Carnegie Medal 2012 (Hidden and Lia's Guide to Winning the Lottery, both nominated)

Finally, a huge thank you from everyone at the Edge for your support, for visiting the blog and leaving comments. We hope to see you again in 2013.

Happy New Year!

Friday, 25 May 2012

Is There a ‘Dystopian Bandwagon’? by Guest Author Caroline Green

This week we welcome back guest author Caroline Green. In January, Caroline wrote about her edgy YA novel Dark Ride. She returns just as her new dystopian thriller, Cracks hits the shelves.



I’ve come across the expression a fair bit lately. The suggestion is that Young Adult authors are knocking out books set in a grim future because they think Hunger Games-style fame and fortune will surely follow.

I’m noticing more than I might otherwise because my own YA dystopian thriller, Cracks, is launched this week. Cracks is set in a near future where a fear of terrorist attack has led to surveillance at every turn. Holograms that encourage citizens to distrust their neighbours appear on street corners and tiny insect-like drones capture CCTV footage of a cowed, frightened populace. Climate change has brought widespread floods and antibiotic resistance means that everyday bacteria can quickly become deadly.

Yup, it’s grim, alright... 

But am I trying to jump on a bandwagon?

Fame and fortune might be nice, but there’s really only one reason why I chose to write a book like this. And that’s because I love dystopian fiction as a reader.

Like many people I’d read Orwell’s 1984 and Huxley’s Brave New World at school but when I came across The Hunger Games about three years back, I was instantly hooked. I couldn’t wait for the next one. I then devoured a range of other dystopian novels (see below for my favourites) in quick succession.

There are many reasons why they appeal to me, purely on a story-telling level. Although my own main character is a boy, many in this genre have strong female protagonists (sorry Bella Swann, but Katniss Everdeen would kick your ass). They have proper baddies. And they have evocative and atmospheric settings. I might not want to go on holiday to a polluted wasteland that has been ravaged by war, but that’s the kind of setting that fires my imagination and make me turn the pages as fast as I can. Who wants to read a book about somewhere pretty where the sun always shines and everything’s lovely? Not me. Or at least, not that often.

I don’t think it is at all surprising that young people have embraced this genre with such passion. The teenage years are a period of intense change, where it can feel as though the sole aim of adults is to prevent you doing the things you really want to do. Authority in general has a far more oppressive feel now than when you are that accepting and malleable creature of younger years.

What’s more, young people probably have very real worries about what the future holds for the planet. They’re bombarded with messages about the environmental consequences created by previous generations, including my own. Those messages sounds an awful lot like, ‘Here’s a big mess. You deal with it now.’

Any of these reasons may be responsible for the popularity of books like The Hunger Games. Or it may just be that teens, like the rest of us, just want to be told a good story.


My favourite YA dystopian novels 
(with a bit of cheating so I can include trilogies)

The Hunger Games trilogy by Suzanne Collins
The Uglies trilogy by Scott Westerfield
The Knife of Never Letting Go by Patrick Ness 
Unwind by Neil Schusterman
Shipbreaker by Paolo Bacigalupi


My favourite adult dystopian novels

The Road by Cormac McCarthy
The Unit by Ninni Nolmqvist
Never Let me Go by Kazuo Ishiguro
Farenheit 451 by Ray Bradbury