In case you missed it — here is a handy round-up of all of the stops on our recent Stories from The Edge blog tour.
Find out why a visit to a local school scared Bryony Pearce 'half to death' and inspired her to write Face2Face at YA YEAH YEAH
Paula Rawsthorne's interview with
TALES OF YESTERDAY
Dave Cousins reveals the inspiration for Magpie Soup at
SERENDIPITY REVIEWS
Sara Grant takes the power of the short story to
LUNA'S LITTLE LIBRARY
Savita Kalhan talks genies with
SISTER SPOOKY
Miriam Halahmy discusses peace with
NINJAS READ TOO
Keren David explains how a character from one of her novels demanded his own story to the BIBLIOMANIAC
Katie Dale delves into the darker side of social media with
TEEN BOOK HOOTS
Huge thanks to all the bloggers for hosting a spot on the tour.
Click here to read more about Stories from The Edge, or here to buy a copy.
Thanks and happy reading, The Edge.
Tuesday, 9 August 2016
Monday, 18 July 2016
Publication day: Stories from the Edge
The Edge is proud to announce that our anthology of eight
short stories, Stories from the Edge, written by eight award-winning UK YA
authors with the aim of entertaining, enticing and educating, is now available
to buy from Amazon, Albury books, or Browns Books for Students.
We wanted our anthology to be both something that teens can
dip in and out of for fun, as well as something that could be used as an
educational tool in the classroom. Therefore, alongside our stories, which
cover issues such as internet safety, bereavement, terrorism, racism and drug
taking, we have produced teaching notes (including discussion points and
facts), which are available to download for free.
Stories from The Edge isn't afraid to ask some big
questions. Sometimes frightening, often funny, always brutally honest, these
stories will take you to where the shadows are darkest and the ground drops
away. The question is, are you prepared to look over the edge?
For more information on each story, do follow our blog tour.
In our first one, on July 19th, Bryony Pearce tells YA Yeah Yeah
exactly why she chose to write about Internet safety.
We hope you enjoy reading our stories as much as we enjoyed
writing them.
Do contact us if you would like more information.
The Edge.Friday, 15 July 2016
A brand new collection of gripping, thought-provoking short stories from The Edge . . .
From the perils of online chat rooms, doping in sport, racism and terrorism, to gender and self-esteem issues, love, life and death—Stories from The Edge isn't afraid to ask some big questions.
Sometimes frightening, often funny, always brutally honest, these stories will take you to where the shadows are darkest and the ground drops away.
The question is . . . are you prepared to look over the edge?
“The short story is a very powerful weapon in the hands of a librarian or teacher . . . I guarantee that these stories will leave readers gasping for more. But most importantly they will get teen readers thinking and talking.” — Joy Court, Chair: CILIP Carnegie & Kate Greenaway Medals; Reviews Editor: The School Librarian
Discussion Guides for exploring each of the stories with students are available as a FREE PDF downloads.
Click the links below to download the guides.
Click the links below to download the guides.
If you have any problems downloading the files, please email: edgewriters(AT)yahoo.co.uk
We hope you enjoy our Stories from The Edge!
Monday, 4 July 2016
STORIES FROM THE EDGE - COVER REVEAL!
Here it is!
With a special introduction from Joy Court, Chair of CILIP Carnegie Children's Book Award - "I guarantee that these stories will leave readers gasping for more..."
Stories from The Edge is available in paperback and eBook from 15th July 2016.
We're going on a blog tour too!
More details soon...
Monday, 30 May 2016
Something's Coming From the Edge...
Over the last year the Edge authors have been working on a very exciting idea!
It was an idea that grabbed us all. It made us think about writing in a different form, a form that might be interesting and exciting for us as well as teen readers, young adult readers, schools, libraries, and pretty much anyone who loves to read teen or young adult fiction.
We've almost reached the final stages of taking the original idea and developing it into something new and different.
Things we can tell you now:
There will be books!
There will be events!
There will be EIGHT stories!
But keep it under your hat for now.
Much more will be revealed later, so stay tuned...
It was an idea that grabbed us all. It made us think about writing in a different form, a form that might be interesting and exciting for us as well as teen readers, young adult readers, schools, libraries, and pretty much anyone who loves to read teen or young adult fiction.
We've almost reached the final stages of taking the original idea and developing it into something new and different.
Things we can tell you now:
There will be books!
There will be events!
There will be EIGHT stories!
But keep it under your hat for now.
Much more will be revealed later, so stay tuned...
Friday, 15 April 2016
Chasing an idea
EDGE Author Sara Grant shares the
evolution of her new series Chasing
Danger
When I visit schools, I’m often asked, “How long does it take to write a book?” My answer: A lifetime.
And that is literally true of my new action-adventure series for teens – Chasing Danger.
I wrote my first story when I was eight years old. It wasn’t an assignment. A story popped into my brain and begged to be written. The story was titled “A Dream I Wish Was True” and was about how eight-year-old me got to meet my favourite movie star. I dedicated it to that actress – the late, great Farrah Fawett Majors.
As you might have guessed I was a super fan of the TV show Charlie’s Angels. It had smart, strong, feisty – and yeah, gorgeous – women at the heart of the action. I’ve always wanted to write a story that would give middle grade readers the same experience I had when I watched Jill, Kris, Kelly and Sabrina in the 1970s – and I think I’ve accomplished it with Chasing Danger.
This new series combines smart, strong, feisty girl heroes with exotic locations and lots of action and adventure.
When I visit schools, I’m often asked, “How long does it take to write a book?” My answer: A lifetime.
And that is literally true of my new action-adventure series for teens – Chasing Danger.
I wrote my first story when I was eight years old. It wasn’t an assignment. A story popped into my brain and begged to be written. The story was titled “A Dream I Wish Was True” and was about how eight-year-old me got to meet my favourite movie star. I dedicated it to that actress – the late, great Farrah Fawett Majors.
As you might have guessed I was a super fan of the TV show Charlie’s Angels. It had smart, strong, feisty – and yeah, gorgeous – women at the heart of the action. I’ve always wanted to write a story that would give middle grade readers the same experience I had when I watched Jill, Kris, Kelly and Sabrina in the 1970s – and I think I’ve accomplished it with Chasing Danger.
This new series combines smart, strong, feisty girl heroes with exotic locations and lots of action and adventure.
About Chasing Danger
“I couldn’t shake the feeling that this vacation might actually
kill me.”
When fourteen-year-old Chase Armstrong is sent to visit her
grandmother at a remote tropical resort, she’s looking forward to sunbathing,
swimming and snorkelling. The last thing she expects is danger. But she’s in for some surprises. She discovers another girl hiding
out on the island and uncovers a devastating secret about the mum she’s never
known. When modern-day pirates attack the island, it’s up to Chase to outrun, out-think and outfight the pirates . . . before it’s
too late!
For
me, writing a book is like piecing together a puzzle. I know how I want the
final project to ‘look’, but finding the right characters, plot and setting
takes patience, persistence and imagination. Over the years, I’ve experimented
with many mysteries, thrillers and action plots. It never really fell into
place until now.
When
I speak to wannabe writers – whether they ten or sixty years old – I always
encourage them to make their writing personal. Why are you writing this story
and why are you the only person who can write it? When searching for an idea, I
ask writers:
O
What
are two or three of your favourite books, movies or TV programmes?
O
What
genre of story do you prefer?
O
What
are your hobbies or talents (or what do you wish they were)?
O
Where
is your favourite place or the place you’d most like to visit?
O
What
issues or topics are you passionate about?
I
ask them to mine their answers to these questions for a story idea. For
example, if the response to the first question is Willy Wonka and the Chocolate Factory, Harry Potter and Game of Thrones. How can you combine
what you love about these stories to spark an idea? If you are writing for
children/teens, you might want to respond to these questions as if you were the
age of your reader.
If you are testing an idea or wondering what to write next, I always recall this quote from Oscar-winner Akiva Goldsman from The 101 Habits of Highly Successful Screenwriters:
“The trick is to be connected to the material of your imagination,
thematically and concretely, write what interests you because if you’re not
fascinated and excited by the writing of the script, the reader won’t be
fascinated and excited by the reading of it. Try to find something in the idea
that speaks to your own life, something you think is authentic, true,
compelling in your story.”
I’m having a blast writing Chasing Danger. I hope that my passion and enjoyment is somehow infused into each page. And if you're a writer, I wish you the same experience
About Sara
Sara Grant has worked on both sides of the
editorial desk. She has inspired and edited nearly 100 books for children. Last
week Chasing Danger – her new action-adventure
series for tweens – was published by
Scholastic. Her two YA novels – Dark Parties (SCBWI Crystal Kite Award
winner, Europe) and Half Lives – are futuristic thrillers. She also
writes a funny magical series for young readers – Magic Trix. She leads
writing workshops in the US, UK and Europe as part of Book Bound and lectures
at Goldsmiths. Website: www.sara-grant.com Twitter: @authorsaragrant
Saturday, 6 February 2016
Recapturing the Joy – Windrunner’s Daughter
by Bryony Pearce
Every book provides its author with unique moments of
satisfaction, but the first time an aspiring writer sees their name in print is
extraordinarily special.
For me that moment was eight years ago when I received my
copy of the SCBWI book Undiscovered
Voices 2008. In that book was the opening of the very first novel I ever
completed, Windrunner’s Daughter.
That feeling of having a dream fulfilled is one that I’ve
never quite recaptured and has left me feeling wistful every time I see a new
debut author. I’m jealous, not of their success, but of the fact that they are
living that moment, enjoying that unrepeatable high.
Since Undiscovered
Voices I have written five more books. Each novel has given me joy and
taught me something new, but Windrunner’s
Daughter was the special one. My first. My first idea, the first time I
realised that I could sit and write a whole novel, the first time I received
praise for my writing from professionals. This was the novel that taught me how to write.
I didn’t do courses, I never joined a critique group, or
writing group, I didn’t go to conferences or events, I didn’t even buy a book
on ‘how to write’. Instead I learned to write by writing. More specifically by
writing Windrunner’s Daughter.
It wasn’t very good. I see that now. My basic idea was
great, but my writing wasn’t. I hadn’t plotted properly, I overwrote terribly,
I was trying to do too many things in one novel.
The message I really wanted to convey was a feminist one –
that girls could do anything they set their mind to (I’m sick of hearing
otherwise) – and that was getting lost in all the other stuff I was trying to
say.
When my daughter started growing up, that the core message
of Windrunner’s Daughter became more
important to me than ever, and so I pulled it out and took another look.
Then I threw it away.
I literally rewrote the entire novel from scratch. I kept my
basic idea, but pretty much everything else went. I used what I had learned in
writing my other five novels, I plotted carefully, I kept focus on my main
message and I wrote a book that felt right.
And now, exactly eight years to the day after I first saw my
name over the title Windrunner’s Daughter,
the novel is in print. It is a science fiction story, set on a semi-terraformed
Mars, about a girl who has to save her family, and perhaps her whole society,
by defying the patriarchy that wants to keep her in her place.
What am I saying with this final blog post of mine? Whatever
you aspire to do, keep trying, never give up – you can do whatever you set your
mind to. Remember your moments of joy and keep working to recapture them. And
hell, read my newest / oldest book:
http://www.amazon.co.uk/Windrunners-Daughter-Bryony-Pearce-ebook/dp/B01ANW3AOW/ref=sr_1_1?ie=UTF8&qid=1454611061&sr=8-1&keywords=windrunner%27s+daughter
Friday, 29 January 2016
And the Costa Book of the Year is - a Children's Book! Savita Kalhan
Hooray! Frances Hardinge has not only won the Costa
Children's Book award but also the Costa Book of the Year award for her novel The Lie Tree!
The last time a children's book won the Costa Book of the
Year was fifteen years ago in 2001 when Philip Pullman won with his novel, The Amber Spyglass, which is part of His Dark Materials series.
Hardinge describes her novel as a "Victorian Gothic
mystery with added palaeontology, blasting powder, post-mortem photography and
feminism". At its heart, The Lie Tree is a children's book, and
as Frances Hardinge says - most of her books are written for herself as a 12
year old.
Her win is important for so many reasons, not least because
when she was interviewed on Radio 4, she was asked by the interviewer what
winning the 'proper' prize meant to her. I'm not sure whether the interviewer
meant that the Children's Prize was improper in some way, or just not as important
or meaningful...
So why is it an important win, apart from the fact that the
book explores issues that a scientifically-minded, very intelligent 14 year old
girl in a Victorian age faces at a time when girls had little or no say in the
world, much less in the scientific community?
Over the years, teen and young adult fiction has been seen
as unliterary and lightweight, and because it caters for children, it therefore
cannot be deemed worthy of winning a 'proper' prize. Writers of teen fiction
are often asked whether they think they might be the next JK Rowling, or
whether they might eventually write a 'proper grown up' book, so for a book
like The Lie Tree to become part of
mainstream literary fiction will open hearts and minds to the fact that
children's fiction is eminently readable, as enjoyable, and as good as other
'grown up' books is great.
Follow Savita on Twitter
Savita's website
Friday, 22 January 2016
Celebrating SCBWI British Isles 20th Anniversary
EDGE
Author Sara Grant owes a debt of gratitude to SCBWI and its Members
I
wouldn’t be published if it wasn’t for the Society of Children’s Book Writers
and Illustrators (SCBWI). This year the British chapter of SCBWI turns 20. I
thought I’d take this opportunity to express my gratitude to this organization
and its amazing members and volunteers.
The
SCBWI is a network for the exchange of knowledge among writers, illustrators,
editors, publishers, agents, librarians, educators, booksellers and others
involved with literature for young people. SCBWI boasts more than 22,000
members worldwide in more than seventy regions, making it the largest
children’s writing organization in the world.
In
1994 I attended my first workshop on writing children’s fiction, lead by the incredible
Elaine Marie Alphin. I left inspired with a notebook full of ideas. She said
that if I was serious about writing for children I should join SCBWI -- which I
immediately did.
From
then on, I have regularly attended events and volunteered for this organization
on both sides of the Atlantic.
Here
are 20 reasons I’m grateful for SCBWI.
Thanks to…
1.
Natascha
Biebow. She’s served the British SCBWI as its regional advisor (RA) for more
than
18 years. The British Chapter started with twenty members and under her
leadership has grown to nearly 1,000 members. She is the longest-tenured
international RA with the fourth largest chapter worldwide.
2.
Natascha
again because she handed a copy of the British SCBWI’s Undiscovered Voices 2008 anthology to literary agent Jenny Savill at
the Bologna Book Fair in 2008. Jenny read the extract from Dark Parties, which was included in the anthology, and gave me a
call. I signed with her a few months later.
3.
My
US Writers Group. At an SCBWI event around about 1995, I met three Indiana
writers who would become my critique and support group until I moved to London
in 2003. They survived my early kids stories, which I hope they have long-since
forgotten. A regular critique group was key to establishing a habit of writing
and an ability to take feedback.
4.
My
UK Writers Group. One of the first things I did when I moved to the UK was
connect to the local SCBWI and join a writers group. The group members changed
and the monthly meetings have dwindled to periodic one-to-ones, but those
writers introduced me to the British SCBWI and were my first friends in the UK.
5.
Lin
Oliver and Stephen Mooser. They are the visionaries who started SCBWI in the US
in 1971 and continue to guide its progress.
Thanks for…
6.
Lifelong
friends. I have many cherished friendships with the writers and
illustrators I met through SCBWI.
7.
Encouragement.
Whether its face-to-face at an event, email, Facebook, Twitter, etc. SCBWI
members understand the highs and lows of publishing and never fail to offer
encouragement.
8.
Knowledge.
I never leave an SCBWI event without a notebook full of ideas, facts and
to-dos.
9.
Inspiration.
I’ve met almost all of my literary heroes at SCBWI events. I have shelves full
of signed books and a head full of inspirational quotes to keep me going.
10.
Community.
What could be better than gathering with people who love what you love?
11.
Industry
News. Through regular emails, newsletters and a yahoo group, I keep up on
what’s happening in the publishing world.
The Mass Book Launch Celebration |
12.
The
Annual Conference. It’s one glorious weekend in November that’s action-packed
with speakers, celebrations, networking and fellowship.
13.
Networking.
Whether at the agent’s party or the mass book launch, you have an opportunity
to meet folks from every aspect of the publishing world.
14.
Networks.
No matter where you live in the UK, an SCBWI group is never far away.
15.
Worldwide
Connections. And no matter where you go in the world, you can find SCBWI
chapters.
16.
PULSE
(SCBWI’s resources for its published members). SCBWI grows with its members,
offering nuts and bolts sessions for those just starting out to PULSE events
for writers and illustrators who have new challenges and opportunities once
they are published.
The 2014 Undiscovered Voices writers, illustrators & planning team. |
17.
Undiscovered
Voices. It was my stepping stone to finding an agent, a publisher and
ultimately readers.
18.
Undiscovered
Voices. It’s a huge part of my life. It’s how I give back and help other
writers and illustrators achieve their publishing dreams. Last week we announced the writers and illustrators who are featured in the fifth anthology.
From the previous four anthologies, 32 writers and illustrators have received
contracts for more than one 120 books in more than 70 countries. I couldn’t be
more proud.
And finally…
19. Volunteer!
Volunteer for SCBWI because it’s what makes the organization so amazing. The
British chapter hosts so many events a year. It has a web site, Facebook group,
newsletter and much more. Everything is run by volunteers. Volunteer because
it’s a way to give back to an organization that will give you so much.
20.
Volunteer!!
If not for a philanthropic reason, volunteer because it’s a great away to
network. You can host an event with an author you admire or set up critiques
with your dream agent.
Thanks SCBWI -- for all of the above and so much more.
About Sara…
Sara Grant has worked on both sides of the editorial
desk. She has inspired and edited nearly 100 books for children. Her two YA
novels – Dark Parties (SCBWI Crystal Kite Award winner, Europe) and Half
Lives – are futuristic thrillers. She also writes a funny magical series
for young readers – Magic Trix. Sara is currently developing a new
action-adventure series for tweens with Scholastic. Chasing Danger will be published in April. She leads writing
workshops in the US, UK and Europe as part of BookBound and
lectures at the University of Winchester and Goldsmiths. Website: www.sara-grant.com Twitter:
@authorsaragrant
Book
Bound is
now accepting applications for its 2016 retreat for adults who are interested
in writing novels for children and teens. It’s an intensive weekend of
workshops, one-to-ones, and camaraderie. Visit the Book Bound web site for more
details: www.bookboundretreat.com
Subscribe to:
Posts (Atom)